建筑师的20岁《建筑师的20岁——相信你的根源》

六位世界顶级建筑大师，1998年在东京大学受安藤忠雄教授的邀约在日本的东京大学与建筑学院的学生聊起了他们所认为的建筑，他们建筑生涯里曾经的年轻岁月。开篇轮佐.皮亚诺就告诉年轻人："dont't belive peopledon't belive anybodydon't belive meeither.i think you have to understand youself".虽然六位大师来自不同的国度，不同的文化以及不同的人生经历，但是整个的谈话看下来，却可以在他们真诚的语言中得到一些共同的东西，一些他们有反复提到的珍贵的方式。

我试着总结了一下，首先，是根源——root.每个人都有自己的根源，你从哪里来，你的最初的童年接触到得看到的是什么，尼采说过一句话，小心你的童年，人生只不过是重复，你小时候实际已经做了所有的事情，而你的余生是用来挖掘童年并实现那个遥远的梦想。作为一位建筑师，他从哪片土地而来，他的设计必定与其声息相关。每个人都有独一无二经历，珍惜你的根源并让其盛放。

其次，是相信——你自己。现在是信息海量呈现的爆炸性时代。杂志，网络，你可以看，但是带着保留的心态。始终在心里留有自己独立思考、独特思维的空间。具有个人风格的东西才是珍贵的作品。

最后，几乎每位都提到了——旅行。在你20几岁的时候，尽可能多的去旅行，去看去感受。每个地域有自己的气候，文化，生活方式，风俗习惯。都可以与你熟悉的根源作比较。在磨合碰撞中更加的了解建筑，了解建筑的目的和本质。

整本书，有英汉双语。英文版表达更到位。挑出自觉地棒的句子.记录下来：

——Renzo.Piano(1998年4月24日 星期五)

ME?no education.building for me is really something like magic.I keep saying:"architecture is like a iceberg"and the visible part is very littlebut all of the part below is the one that make architectureand the part below is society、anthropology、history、geography、climatology、science、sociology。all these are there.it takes 50 years to become an architect-at leastit's a longlong long travelit's a long journey.

everybody has been born somewherefrom some familyfrom some placeEverybody has rootsi think that you should not underestimate the importance of keeping what you are and then dig-in depth for itbecuse your personal history is like your own rootssomebody once saidthat in childhood-when you are small-you have really done everythingyou then spend the rest of your life digging back into what you have been when you were a childso i think it's essential for everybody to understand that you should not forget where you come fromwhere you were bornand what thing belong to younot to someone else.In other wordsdon't do like medon't do like mr. Ando.do like you！don't take the example of anybodyyou have to build your own autonomy.

I think the essential thing-for young architect-is to be autonomousto be free to make decisionsone is to be curious about lifeanother thing is that you have to be bloody competentyou have to be bloody good.

——Ricardo Legorreta（1998年6月29日 东京大学）

I went and ask for a faver to the people in the kitchen to let me go through the kitchen to where the party wasi asked him for his advice of what to do and how to keep learning architectureHe asked me if i was planning to live and work in mexicoand i said yesso he said to mestay in mexico and travel as much as you can.so since then i save money to travel as much as i canand i keep learning and learning.

i must i am a extremely romantic personthe romanticist and rigidity doesn't go together.

i will advise you to study very carefully what you see on the magazines and videos and internetbecause the risk is that you can end up judging architecture by the appearance or the skin only.so look at journalism as a tool.not the objective of you live.

you can find youself what is your tendencywhere you are happywhere you feel very well.when you apply this to artchitecturewe know what are the kind of space we like.

so let's contitue because we have the best profession in the world.

——Rem.koolhaas 雷姆.库哈斯

讲座的前一天，库哈斯因为发起了40°的高烧，所以没能来，我一直盼望这能够再次看到他那张严肃的脸。这次感到非常的遗憾。不过，这种突然的变更也很符合库哈斯的特点。

现在的学生都拥有优越的生活环境和温和的表情，我非常希望他们能够亲眼看到库哈斯那严酷的表情，哪怕是只是一瞬，也会感受到对建筑的思索应该是这样一个苦苦寻求的过程，是这样辛苦的一件事情——安藤忠雄

——L.M.Pei 贝聿(yù)铭

There may be a dispute as to when mordern architecture really began.if you allow me to take a judgement on this subjecti would say it began with cubism.

To associate with a real esate developer is something that the American Institute of Architects looked down upon.In Factthey discouraged architects to do thatbut i did itI want to mention thatbecause aside from a university training.and i give you already my sense of debt to.Gropius and othersthis was second.